PALMA GIOVANEItalian Mannerist Painter, ca.1548-1628 | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
The Pool ID de tableau:: 63830 Voir la galerie dans Suède |
The Pool 1592 Oil on canvas Collezione Molinari Pradelli, Castenaso St John's version (John 5:1-15) of the miracle of the healing of the paralytic lays the scene in Jerusalem at the pool of Bethesda. (According to Matthew, Mark and Luke it took place at Kapernaum.) The place was a resort of the sick since the waters were believed to have miraculous curative powers. It was said that from time to time an angel, traditionally the archangel Gabriel, came and disturbed the water and that the first person to enter it afterwards was healed. But the paralytic had never succeeded in being first. Christ came there and found him. He was ordered to take up his bed and walk and immediately found himself cured. John described it as 'a place with five colonnades', and therefore represented with some such architectural feature. Christ addressing the paralytic who lies at the edge of the pool. Others, sick and infirm crowd the scene. Palma's painting was clearly inspired by the great examples of sixteenth-century Venetian art and in particular by the works of Tintoretto. The composition is typical of Palma the Younger's mature style. Compositional flair, the employment of diagonal perspectives and rich colours almost obliterated by heavy shadow as well as the theatrical eloquence of the gestures and use of foreshortening are all typical characteristics of Palma the Younger's style of painting. When he managed to control all of them, as in this splendid example, he took post-Renaissance Venetian painting, generally considered a dismal period in art, to its highest degree of effectiveness and expression. When, on the other hand, the effects he used degenerated into repetitive formulas, seventeenth-century Venetian art very quickly became monotonous. This painting is a part of the Collezione Molinari Pradelli, the most extensive private collection of seventeenth- and eighteenth-century art in Italy.Artist:PALMA GIOVANE Title: The Pool Painted in 1551-1600 , Italian - - painting : religious 1592_Oil_on_canvas_Collezione_Molinari_Pradelli,_Castenaso_St_John's_version_(John_5:1-15)_of_the_miracle_of_the_healing_of_the_paralytic_lays_the_scene_in_Jerusalem_at_the_pool_of_Bethesda._(According_to_Matthew,_Mark_and_Luke_it_took_place_at_Kapernaum.)_The_place_was_a_resort_of_the_sick_since_the_waters_were_believed_to_have_miraculous_curative_powers._It_was_said_that_from_time_to_time_an_angel,_traditionally_the_archangel_Gabriel,_came_and_disturbed_the_water_and_that_the_first_person_to_enter_it_afterwards_was_healed._But_the_paralytic_had_never_succeeded_in_being_first._Christ_came_there_and_found_him._He_was_ordered_to_take_up_his_bed_and_walk_and_immediately_found_himself_cured._John_described_it_as_'a_place_with_five_colonnades',_and_therefore_represented_with_some_such_architectural_feature._Christ_addressing_the_paralytic_who_lies_at_the_edge_of_the_pool._Others,_sick_and_infirm_crowd_the_scene._Palma's_painting_was_clearly_inspired_by_the_great_examples_of_sixteenth-century_Venetian_art_and_in_particular_by_the_works_of_Tintoretto._The_composition_is_typical_of_Palma_the_Younger's_mature_style._Compositional_flair,_the_employment_of_diagonal_perspectives_and_rich_colours_almost_obliterated_by_heavy_shadow_as_well_as_the_theatrical_eloquence_of_the_gestures_and_use_of_foreshortening_are_all_typical_characteristics_of_Palma_the_Younger's_style_of_painting._When_he_managed_to_control_all_of_them,_as_in_this_splendid_example,_he_took_post-Renaissance_Venetian_painting,_generally_considered_a_dismal_period_in_art,_to_its_highest_degree_of_effectiveness_and_expression._When,_on_the_other_hand,_the_effects_he_used_degenerated_into_repetitive_formulas,_seventeenth-century_Venetian_art_very_quickly_became_monotonous._This_painting_is_a_part_of_the_Collezione_Molinari_Pradelli,_the_most_extensive_private_collection_of_seventeenth-_and_eighteenth-century_art_in_Italy.Artist:PALMA_GIOVANE_Title:_The_Pool___Painted_in__1551-1600___,__Italian__-_-_painting__:_religious |
||||||||
|
|
||||||||||
|
Christ supported by two cherubs supporting a Cero ID de tableau:: 80261 Voir la galerie dans Suède |
Christ supported by two cherubs supporting a Cero Info from source: Jacopo Negretti, called " PALMA IL GIOVANE " (1548 Venice 1628), Christ supported by two putti each supporting a Cero, oil on slate, 31 x 25.5 cm author died 1628 cjr Info_from_source:_Jacopo_Negretti,_called_"_PALMA_IL_GIOVANE_"_(1548_Venice_1628),_Christ_supported_by_two_putti_each_supporting_a_Cero,_oil_on_slate,_31_x_25.5_cm author_died_1628 cjr |
||||||||
|
|
||||||||||
|
PALMA GIOVANE ID de tableau:: 84498 Voir la galerie dans Suède |
PALMA GIOVANE oil on slate, 31 x 25.5 cm Date Unknown; author died 1628 cyf oil_on_slate,_31_x_25.5_cm_ Date_Unknown;_author_died_1628 _ cyf |
||||||||
|
|
||||||||||
|
Bimba a mezzo busto ID de tableau:: 86833 Voir la galerie dans Suède |
Bimba a mezzo busto Oil on cardboard Dimensions Italiano: 38 x 28 cm cyf Oil_on_cardboard _ Dimensions_Italiano:_38__x__28_cm_ cyf |
||||||||
|
|
||||||||||
|
San Giacomo Minore ID de tableau:: 96701 Voir la galerie dans Suède |
San Giacomo Minore oil on canvas Dimensions 158 X 115 cm cyf oil_on_canvas_ Dimensions_158_X_115_cm_ cyf |
||||||||
|
|
||||||||||
| Artiste précédent Artiste prochain | ||||||||||
|
|
||||||||||
| PALMA GIOVANE | ||||||||||
| Italian Mannerist Painter, ca.1548-1628 | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.